FACULTY ARTISTS:


MATHEW JANCZEWSKI (Arena Dances, Artistic Director)
Mathew Janczewski is a Chicago native who began his early dance training at DanceCenter North. At age 19, he moved to the Twin Cities and began his training at the University of Minnesota. There he performed in the works of Doug Varone, Bill T. Jones, Mark Morris, Bebe Miller, Merce Cunningham and many more. He received his BFA in Dance in 1994. Mathew has danced with a variety of Minnesota choreographers, including Beth Corning, Shawn McConneloug, Robin Stiehm and Cathy Young. He was a company member of Shapiro & Smith Dance and JAZZDANCE! by Danny Buraczeski for five years with both companies.

Since 1992, Mathew has choreographed more than 30 contemporary works. His continued studies of ballet, hip-hop, yoga, tai-chi and modern dance continue to influence his blend of movement. In 2005 Mathew joined forces with Theater Latte Da and choreographed an original dance theater work Bankrupt City Ballad to a live big band; with text by Kira Obolensky and directed by Peter Rothstein. Following Ugly at the Walker Art Center, Mathew will be choreographing for the Minnesota Opera’s production of Rusalka in April of 2008. ARENA is in the studio as well remounting the 2001 show waterBRIDGE taking place at the Southern Theater May 8-10, 2008 and a show at the Southern in October with the string quartet, ETHEL.

Over the years Mathew has been recognized by the McKnight and Jerome Foundation, Land O’ Lakes Foundation, Target Foundation, Faegre & Benson Foundation, the Metropolitan Regional Arts Council, the Minnesota State Arts Board, and the Foundation for Contemporary Performing Arts, receiving General Operating Support and Artists Fellowships to create and explore new works. Mathew received a 2005 Sage Award for “outstanding performance” for Solo Lounge. Mathew Janczewski is a recipient of a 2005 McKnight Artist Fellowship for Choreographers, administered by the Southern Theater and funded by the McKnight Foundation. In Fall 2006 ARENA celebrated its Tenth year Anniversary at the Southern Theater.

Several companies in the United States have performed Mathew’s distinctive movement. Special projects and commissions have included choreography for the Repertory Project of Cleveland, St. Olaf College, St. Paul Conservatory for the Arts,Gustavus Adolphus College, Macalester College, Hamline University, State University of New York - Potsdam, State University of New York - Brockport, Carleton College, University of Minnesota, Perpich Center for the Arts, Walker Art Center, and Zenon Dance Company and School.

JON LEHRER (LehrerDance, Artistic Director )
Prior to launching his company, Jon was the Associate Director and Resident Choreographer of Giordano Jazz Dance Chicago (GJDC). He has also danced professionally with the Erick Hawkins Dance Company, John Passafiume Dancers, Merv Griffin's “Funderful” , and in the Radio City Rockettes Christmas Spectacular.

Jon has created works for companies around the world including GJDC, Thodos Dance Chicago, Instruments of Movement, Momenta Dance Theatre, Dancers from the Joffrey Ballet, Le Jazz Groupe from Monterrey, Mexico, and Kannon Dance of St. Petersburg, Russia. Jon has also set work at the University at Buffalo, University of Nevada Las Vegas, University of Nevada Reno, East Central University, Northern Illinois University and others. In 2002 Jon was one of four Chicago choreographers selected to participate in the first ever Dance Chicago Choreography Project.

Jon is on the Advisory Board of Dance Spirit Magazine and was featured on the November 2007 cover of Dance Teacher Magazine. He continues to teach master classes throughout the U.S. and around the world, is on the faculty of the Jazz Dance World Congress, Dance Masters of America, Chicago National Association of Dance Masters, Chicago Dance Connection, and is a guest artist at numerous colleges around the country


KRISTIN BEST (aTrek Collective Artist)
Kristin is an assistant professor of dance at Lindenwood University and serves as the co-director of the LU Dance Ensemble. Kristin is a founding member of Turn of Change Dance Collective and has performed with Duarte Dance Works , University of Iowa’s premiere touring ensemble Dancers in Company , and The Slaughter Project , under the direction of Cecil Slaughter. She has danced and choreographed in opening acts for hypnotist Tony Z , comedian Phyllis Diller , the Nokia Sugar Bowl as well as on ESPN for the National Dance Team Championship . Best has taught courses at the University of Iowa, Lewis and Clark College and Southern Illinois University, Edwardsville. Her choreography has been presented at the American College Dance Festival, National DanceWeek and the Gala/Extravaganza for Body Worlds 3. Best received her MFA in Dance Performance from the University of Iowa and a Bachelors Degree in Theater and Dance from Southern Illinois University. Kristin will teach Contemporary Jazz during the second week of IMPULSE.


DIANA BARRIOS (aTrek Co-Artistic Director)
Diana received her BA in Dramatic Arts, Dance from the University of California, Berkeley where she founded the Annual Outdoor Festival of the Arts. Ms. Barrios danced with the Bay Area Repertory Dance Company, touring throughout California and Mexico. Her choreography has been shown in California, New York and St. Louis. Ms. Barrios has had the opportunity to study with Mark Morris, Merce Cunningham, Bill T. Jones, Susan Marshall, Margaret Jenkins, Joe Goode, Stephen Petronio and Robert Moses. She is currently teaching dance through St. Louis Community College and creating aTrek’s new Moving with Science outreach program. Diana will teach Yoga, Contact Partnering and Performance & Repertory during IMPULSE.


DIANNA ANDREWS GAITHER (aTrek Collective Artist)
Dianna received a BFA in dance from Webster University. She was also granted departmental honors upon graduating. Dianna furthered her studies in New York City at The Ailey School, where she extensively studied the Lester Horton technique of modern dance. She has performed with The Ailey School, Opera Theater of St. Louis, Slaughter Project, Webster University Dance Ensemble, Movement Dance Theater, and State Street Dance Company. Dianna is also an educator for aTrek's elementary school performance and residency program Moving Through Math .   She has been teaching dance at three local metro east studios and has recently become a studio owner herself. Dianna is also one of the four founding company members of Turn of Change Dance Collective . Diana will teach Ballet during IMPULSE.


BETSY BRANDT HARTLAND (aTrek Co-Artistic Director)
Betsy is an active choreographer, performer, educator, and administrator with aTrek. She received her BA in Dance and Political History from Kenyon College, where she performed in works by Balinda Craig-Quijada, Kristina Isabelle, Julie Brodie, and Bebe Miller, performed and choreographed for the American College Dance Festival, and served as president of the Kenyon Danswers Cooperative. Her participation in the past four IMPULSE Festivals enabled her to participate in the creation of new works choreographed by guests artists including Kim Epifano and Lisa Race. Prior to her work with aTrek, Betsy worked in arts administration and development for the Contemporary Art Museum St. Louis and Young Audiences of St. Louis. She recently concluded a teaching residency at Principia College in Elsah, Illinois, and is currently teaching aTrek’s Moving Through Math and Moving Through Science programs. Betsy will teach Contact Partnering and Performance & Repertory during IMPULSE. 

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Scholarships & Work Study

Full and partial scholarships and work study are available based on talent, financial need and availability.

Please send us a COMPLETED Scholarship Application and support materials. Scholarships will be awarded to qualified applicants on first come first serve basis. Although you may send any materials that you feel represent you accurately, we recommend the following:

• 5-10 minute video displaying your dancing: center work, phrases, across the floor, choreography, performances, etc. (esp. important if we do not know you. Alternatively, you could come to a class taught by one of the collective's members. Contact us for more information about this option.)
• Description of what is on the tape and what you are wearing, if there are others in the video
• Brief letter of recommendation or a reference that we may contact (this is more important for work-study applicants to verify your experience and skills)

> Download a Scholarship Application  (help)

Professional Rates

Professional rates are also available. Another way to reduce tuition is to host an out of town guest (student or faculty).
Drop us an email
if you are interested in either of these options.

 

 
STUDENT FEEDBACK ABOUT IMPULSE

"It was such a gift to myself to take two week to just be a dancer and connect deeply with that aspect of myself. It really got my dance carreer moving.""The most important idea I took away from this class was the idea that the dance, the dancer, and the dancing are not separate entities - that I am the dance. That was a revelation for me."

"This intensive was an awakening experience for me and brought me into a closer relationship with myself.  The environment allowed me to free myself from judgement and just feel the pure joy of moving.  My confidence in improvisation increased dramatically, along with my passion for dance."
"Classes were always insightful; classes pertaining to the senses (vision, touch) were valuable to me as a dancer...""David's (Marchant) ideas and theories were fascinating and his method of teaching felt very comfortable and non-judgemental.""I became a lot more comfortable with improvisation, I began to think more in-depth about purpose of movement and about trusting myself and my abilities.""It was one of the best times I've ever had at a workshop.""(the workshop) changed the way I think about dance.""I loved it."

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